The money and precious metals were in the company of an immense collection of valuable artwork. Sheltered in the mine were one-fourth of the major holdings of 14 state museums.
The find was so extraordinary that General Dwight D. Eisenhower, General Omar N. Bradley, and Lt. Gen. George S. Patton, toured the site together.
The mine’s shafts, some 1,600-feet below the surface, also housed an estimated 400-tons of intellectual riches in the form of patent volumes from Germany, France, and Austria.
“Germany was one of the most technologically advanced nations in the world at this time,” said David Deputy, a former Delaware National Guard brigadier general and Mr. Mootz’s nephew. “Information on rocketry and other German advances were being sought by both the Americans and Russians. It was the sensitive nature of this data that resulted in some details of the discovery being kept secret,” he said.
Mr. Deputy said it was not until military records were declassified decades later that Mr. Mootz’s role in the discovery became evident.
To give Mr. Mootz his overdue recognition, State Reps. Harvey Kenton (R-Milford) and Tim Dukes (R-Laurel) sponsored a House of Representatives’ Tribute presented in the House Chamber Thursday afternoon. Mr. Mootz was a long-time resident of Laurel and currently lives in Milford.
“We recognize this exceptional individual for his outstanding service to his country while serving in the United States Army,” said Rep. Kenton. “Private Mootz assisted the ‘Monuments Men’ in the discovery of a massive collection of gold, silver, artwork, and German currency. This was the remaining paper currency and gold reserves of the Nazi regime, hence, this discovery bankrupted the German Army, bringing an earlier end to the war.”
The find may have had repercussions beyond the war.
In internal correspondence a week following the discovery at Merkers, Col. Bernard D. Bernstein (deputy chief, Financial Branch, G-5 Division) wrote the finding of the trove “confirms previous intelligence reports and censorship intercepts indicating that the Germans were planning to use these foreign exchange assets, including works of art, as a means of perpetuating the Nazism and Nazi influence both in Germany and abroad.”